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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 446 results
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A Maja standing against a dark background with figures
Goya (Francisco de Goya y Lucientes)
1859
'Dancing Giant' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (private printing ca.1854)
A solider drinking accompanied by another man (from Album H, folio 51)
Goya (Francisco de Goya y Lucientes)
1824–1828
Plate 20 from "The Disasters of War" (Los Desastres de la Guerra): 'Get them well, and on to the next' (Curarlos y á otra)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Plate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms
Goya (Francisco de Goya y Lucientes)
1816
Plate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls
Goya (Francisco de Goya y Lucientes)
1816
Pllate 60 from "Los Caprichos": Trials (Ensayos)
Goya (Francisco de Goya y Lucientes)
1799
Plate 50 from "The Disasters of War" (Los Desastres de la Guerra): 'Unhappy mother!' (Madre Infeliz!)
Goya (Francisco de Goya y Lucientes)
1811–12 (published 1863)
Plate 35 from "Los Caprichos": She fleeces him (Le descañona)
Goya (Francisco de Goya y Lucientes)
1799
Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): 'Neither do these' (Ni por esas)
Goya (Francisco de Goya y Lucientes)
ca. 1810
Philip III, King of Spain on horseback, after Velázquez
Goya (Francisco de Goya y Lucientes)
1778
Plate 25 from "The Disasters of War" (Los Desastres de la Guerra): 'These too' (Tambien estos)
Goya (Francisco de Goya y Lucientes)
1810
Plate 58 from 'The Disasters of War' (Los Desastres de la Guerra): 'It's no use crying out.' (No hay que dar voces.)
Goya (Francisco de Goya y Lucientes)
1811–12
'Dancing Giant' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published 1864)
Humility versus Pride; a young man imploring an older man with other figures in front of them; folio 75 (recto) from the Madrid Album "B"
Goya (Francisco de Goya y Lucientes)
1796–98 (possibly later)
Plate 15 from "Los Caprichos": A pretty piece of advice (Bellos consejos)
Goya (Francisco de Goya y Lucientes)
1799
Unholy Union
Goya (Francisco de Goya y Lucientes)
ca. 1801–3 or ca. 1813–19
Late Caprichos of Goya
Goya (Francisco de Goya y Lucientes)
ca. 1824–28
Self-Portrait in a Cocked Hat
Goya (Francisco de Goya y Lucientes)
ca. 1790
Plate 72 from "Los Caprichos": You will not escape (No te escaparàs)
Goya (Francisco de Goya y Lucientes)
1799
Plate 29 of "La Tauromaquia": Pepe Illo making the pass of the 'recorte'
Goya (Francisco de Goya y Lucientes)
1816
Recto: Woman Arranging her Hair; Verso: Woman Sweeping
Goya (Francisco de Goya y Lucientes)
ca. 1794–95
Plate 68 from "The Disasters of War" (Los Desastres de la Guerra): 'What madness!' (Que locura!)
Goya (Francisco de Goya y Lucientes)
1814–15 (published 1863)
Plate 15 from 'Los Caprichos': Pretty Advice (Bellos consejos)
Goya (Francisco de Goya y Lucientes)
1799
Plate 11 from "La Tauromaquia": The Cid campeador spearing another bull
Goya (Francisco de Goya y Lucientes)
1816
Plate 8 from "Tauromaquia": A moor caught by the bull in the ring
Goya (Francisco de Goya y Lucientes)
ca. 1816
They are getting drunk; folio 67 (recto) from the Madrid Album "B"
Goya (Francisco de Goya y Lucientes)
1796–98
Plate 67 from "Los Caprichos": Wait till you've been anointed (Aguarda que te unten)
Goya (Francisco de Goya y Lucientes)
1799
Plate 46 from "Los Caprichos": Correction (Correccion)
Goya (Francisco de Goya y Lucientes)
1799
A partly naked woman seated by a stream; page 32 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
ca. 1812–20
Plate 16 from "The Disasters of War" (Los Desastres de La Guerra): They make use of them (Se aprovechan)
Goya (Francisco de Goya y Lucientes)
ca. 1810 (published 1863)
Plate 65 from "Los Caprichos": Where is mom going? (Donde vá mamá?)
Goya (Francisco de Goya y Lucientes)
1799
Plate 26 from "The Disasters of War" (Los Desastres de la Guerra): 'One can't look' (No se puede mirar)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Generosity versus Greed; a woman and three men conducting a transaction inside a shop; folio 76 (recto) from the Madrid Album "B"
Goya (Francisco de Goya y Lucientes)
1796–98 (possibly later)
Plate 11 from "Los Caprichos": Lads Making Ready (Muchachos al Avío)
Goya (Francisco de Goya y Lucientes)
1799
Monks in an interior (a cell?); page 33 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
ca. 1812–20
Gaspar de Guzmán, Count Duke of Olivares on horseback, after Velázquez
Goya (Francisco de Goya y Lucientes)
1778
Plate 10 from "Los Caprichos": Love and death (El amor y la muerte)
Goya (Francisco de Goya y Lucientes)
1799
A woman talking to a priest in a covered archway; folio 59 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
ca. 1812–20
Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): Not even in that way (Ni por esas)
Goya (Francisco de Goya y Lucientes)
ca. 1810 (published 1863)